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Engravings and Etchings

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James McNeill Whistler - Second Venice Set: The Rialto, 1879-1880

James McNeill Whistler
Second Venice Set: The Rialto, 1879-1880

James McNeill Whistler - Second Venice Set: Salute Dawn, 1879-1880

James McNeill Whistler
Second Venice Set: Salute Dawn, 1879-1880

James McNeill Whistler - First Venice Set: The Two Doorways, 1880

James McNeill Whistler
First Venice Set: The Two Doorways, 1880

Sears Gallagher - Fenway Court, early 20th century

Sears Gallagher
Fenway Court, early 20th century

James McNeill Whistler - Second Venice Set: Fishing Boat, 1879-1880

James McNeill Whistler
Second Venice Set: Fishing Boat, 1879-1880

James McNeill Whistler - Second Venice Set: Nocturne: Furnace, 1879-1880

James McNeill Whistler
Second Venice Set: Nocturne: Furnace, 1879-1880

James McNeill Whistler - Second Venice Set: The Bridge, Santa Marta, 1879-1880

James McNeill Whistler
Second Venice Set: The Bridge, Santa Marta, 1879-1880

Unknown Italian artist - Once the Contract is Signed, the Peasant Can Sleep, 18th century

Unknown Italian artist
Once the Contract is Signed, the Peasant Can Sleep, 18th century

James McNeill Whistler - Second Venice Set: Upright Venice, 1879-1880

James McNeill Whistler
Second Venice Set: Upright Venice, 1879-1880

James McNeill Whistler - Second Venice Set: Fruit Stall, 1879-1880

James McNeill Whistler
Second Venice Set: Fruit Stall, 1879-1880

James McNeill Whistler - Second Venice Set: Lagoon: Noon, 1879-1880

James McNeill Whistler
Second Venice Set: Lagoon: Noon, 1879-1880

Unknown Italian artist - A Full Body Doesn't Believe in Fasting, 18th century

Unknown Italian artist
A Full Body Doesn't Believe in Fasting, 18th century

Unknown Italian artist - He Who Gets Involved with Vain Women, Does Not Succeed, 18th century

Unknown Italian artist
He Who Gets Involved with Vain Women, Does Not Succeed, 18th century

Unknown Italian artist - As Long as One Has the Teeth in His Mouth, He Does Not Know What Touches Them, 18th century

Unknown Italian artist
As Long as One Has the Teeth in His Mouth, He Does Not Know What Touches Them, 18th century